What's in my bag

Each project is different and requires specific equipment, but as a Fine Art Long exposure photographer, I tend to gravitate towards a few favorite pieces of gear.

You will find below a list of my typical long exposure equipment.


Sony a7RIV – my work horse and go to camera for most occasions. Amazing image quality, high resolution and low noise level, all qualities required for shooting long exposures. This is a camera that also allows me to shoot all other kinds of subjects if the occasion presents itself.

Sony a7RIV converted to Infra-Red by Precision Camera – a wonderful camera in itself, the a7RII opens a whole new world of possibilities when converted to IR: leaves of trees turn bright, the ocean dark, people stand out more. It allows me to transform my subjects.

Sony RX100 IV – the camera I use for behind the scenes images and videos; also the camera that I always carry with me when I leave the rest of the gear behind.


Sony FE 100-400mm f/4.5-5.6 GM OSS – an amazing lens with superb image quality and razor sharp details. The ideal solution when I need the extra length and heavy enough that I’m not concerned about vibrations while shooting exposures for minutes at a time.

Canon TS-E 24mm f/3.5L II Tilt-Shift – a wide angle tilt shift lens that I use for landscape, seascape and architectural subjects. The Sony mirrorless system is amazing in that it allows users to find the best of all worlds in terms of lenses. The 100-400 G Master is one of these and so is this tilt/shift lens. Unfortunately Sony doesn’t have lenses (yet?) that allows for perspective control, and so I went to the next best thing.

Mamiya 645 35mm f/3.5 – Mamiya 645 50mm f4 Shift Lens –Hartblei 80mm Tilt/Shift "Super Rotator"– a range of Medium Format lenses that offer a large image circle and let me tilt and shift almost as much as I’d like. I wish Sony came up with a native solution that would potentially allow for even more movements and ensure light tightness (always a problem when adapting lenses, see below).

Other gear

Manfrotto MT057C3 tripod & Manfrotto 405 geared head – a work horse combination that I use with heavy lenses such as the 100-400 G Master. With smaller lenses I use a lighter yet sturdy geared head/tripod combination also from Manfrotto (the 410 Junior).

Batteries and charger – because I tend to go through a couple batteries a day with my a7RII while shooting long exposure I often bring a charger on 2-day trips and projects.

Amazon Kindle – one of my best friends while waiting for a loooooong exposure (or series of them) to be done. When I don’t just enjoy the view or quiet of the scene that I’m shooting, I’ll be reading it or an actual book.

Wired and remote shutter control – required to start and stop my exposures. I almost only use the remote control, unless I’m shooting with the IR converted camera which I don’t want to illuminate with an artificial source of light (the remote itself) and then the wired one comes in handy.

Storm Jacket and scarf – as mentioned earlier, long exposures suffer from light leaks that are caused by adapting non-native lenses on a mirrorless system. I use these pieces of cloth to protect my camera from stray light and kill two birds with one stone when the weather turns stormy. These are of course not needed when using native glass.

Neutral density filters, adapter rings & filter holder – to shoot long exposure in broad day light one needs to reduce the amount of light going through the lens. This is what these filters are for. I favor Breakthrough Photography Filters because they have very dark filters that do not require to be stacked, and them being made of glass prevents scratches (and subsequent diffraction and image artifacts).

Misc. equipment:


Film Cameras:

Medium Format: Rolleiflex, Yashica Mat 124, Mamiya RZ67, Hasselblad 500, Lomography Diana

Large Format: 4x5 Chamonix 045N-2, 8x10 Korona


I converted/modified/machined a Fuji GX680 III into a technical camera that can be used with any a7 series body, and virtually any lens, including RZ67 and large format with long bellows and rail extensions.


Full Frame Lenses:

Sony 16-35mm Vario-Tessar T FE F4 ZA OSS - My go to lens for lanscape, seascapes and architectural photography (mostly).

Sony FE 90mm f/2.8 Macro G OSS - Great lens for macro work of course, but also for portraiture. Superb bokeh!

Sony FE 24-70mm f/2.8 GM

Sony FE 16-35mm f/2.8 GM

Other Medium Format Lenses:

Too many to list.


My go to filters are made by Breakthrough Photography.

They come in different flavors ranging from screw in to square and even magnetic! My most used filter is the x4 100x100mm 15 stops as it allows for minutes long exposures in the day time.

Printing Paper

Unless specific request, Hahnemühle Photo Rag 308gsm is used for the fine art archival prints - This paper has a matte finish and ensures the deepest density of blacks as well as the highest level of details. This paper has been the recommended substrate by generations of museum curators around the world.



EF to E mount Metabones Mark V (aperture control, autofocus and Exif info)

Mirex EF to E mount tilt shift (fully manual, no electric connection)

Mirex M645 to EF mount tilt shift (fully manual, no electric connection)


Sony Remote Commander - Absolutely necessary for LE shooting.

f-stop Loka backpack - My newest (and hopefully last) backpack acquisition. It is meant for demanding photographers and weather conditions.

Peak Design system to attach the camera to a sling, backpack or a hand strap, and release it in a heart beat.

Lume Cube - Amazing little cubes that contain a very powerful LED light. Illumination is adjustable on your cell phone by Bluethooth, and they can also be triggered remotely. Plus they are waterproof, and easy to carry around. Highly recommended for lighting solutions on the go. And don't forget that Lume Cube are also running a Kistarter Campaign on their new product... right now! :)


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